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Guess I'm gonna translate the symbol document next and see if it helps any.
Also the last line of the French note, is an almost direct quote from a French book. But that’s all I got. I know tamashii had bible verses as one of the secrets, thought it’d be something crazy like that this time around.(edit 2: they’re all from the same book.)
For those that don't want to google french, they'd be:
1 - The Spirits' Book > BOOK FOUR—HOPE AND CONSOLATION > CHAPTER II—FUTURE JOYS AND SORROWS > Heaven, Hell and Purgatory > 1012 [1011]
2 - The Spirits' Book > BOOK THREE—MORAL LAWS > CHAPTER VII—VI. LAW OF SOCIETY > Necessity of Social Life > 767
3 - The Spirits' Book > BOOK THREE—MORAL LAWS > CHAPTER VIII—VII. LAW OF PROGRESS > The March of Progress > 781 > 781 - a
4 - The Spirits' Book > BOOK TWO—THE SPIRIT WORLD > CHAPTER VII—RETURN TO PHYSICAL LIFE > Forgetfulness of the Past > 392
Segundo Carl Jung; os simbolos alquimicos representavam uma formula da busca pela transmutacao da cogsciencia, em outras palavras, ele enxergava a importancia da simbologia alquimica para a "transcendia" da psique. Os elementos eram codigos que representavam o ser humano como um todo; corpo, mente e alma, como mercurio, sal e enxofre. Portanto, a busca pelo ouro transmutado da pedra filosofal nao era, em sua visao, metodos de encontrar ouro real, mas de transformar o ser humano.Nos desenvolvemos e conduzimos experiencias focadas na natureza transgressora e subversiva do microcosmo; absorvendo e organizando os fragmentos abstratos que emergem do subconsciente para o consciente, transformando-as em ensaios acessiveis em midia digital. O conceito primario que moveu o desenvolvimento do projeto e a composicao de tradicoes e interpretacoes filosoficas acerca do conhecimento sobrenatural, com a capacidade que a midia interativa proporciona de experimentar estes elementos em diferentes abordagens, assim buscando elaborar ambientes virtuais que representem o microcosmo e sua gnose oculta; transformando a midia em obra mistico-digital, e nao obstante, obras que representem os dogmas da humanidade sobre a otica de uma metafisica subversiva, estilizada. Isso nao significa necessariamente se tratar de trabalhos de alto teor educativo, mas em primeira instancia focar na manifestacao artisticas como expoente da gnose interior.
According to Carl Jung; alchemical symbols represented a formula for the search for the transmutation of cognition, in other words, he saw the importance of alchemical symbology for the "transcendence" of the psyche. The elements were codes that represented the human being as a whole; body, mind and soul, like mercury, salt and sulfur. Therefore, the search for the transmuted gold of the philosopher's stone was not, in his view, methods of finding real gold, but of transforming the human being. We developed and conducted experiments focused on the transgressive and subversive nature of the microcosm; absorbing and organizing the abstract fragments that emerge from the subconscious to the conscious, transforming them into accessible essays in digital media. The primary concept that moved the development of the project is the composition of traditions and philosophical interpretations about supernatural knowledge, with the ability that the interactive media provides to experience these elements in different approaches, thus seeking to develop virtual environments that represent the microcosm and its hidden gnosis; transforming the media into a mystical-digital work, and nevertheless, works that represent the dogmas of humanity on the optics of a stylized, subversive metaphysics. This does not necessarily mean that they are works with a high educational content, but primarily to focus on artistic manifestations as an exponent of interior gnosis.