Install Steam
login
|
language
简体中文 (Simplified Chinese)
繁體中文 (Traditional Chinese)
日本語 (Japanese)
한국어 (Korean)
ไทย (Thai)
Български (Bulgarian)
Čeština (Czech)
Dansk (Danish)
Deutsch (German)
Español - España (Spanish - Spain)
Español - Latinoamérica (Spanish - Latin America)
Ελληνικά (Greek)
Français (French)
Italiano (Italian)
Bahasa Indonesia (Indonesian)
Magyar (Hungarian)
Nederlands (Dutch)
Norsk (Norwegian)
Polski (Polish)
Português (Portuguese - Portugal)
Português - Brasil (Portuguese - Brazil)
Română (Romanian)
Русский (Russian)
Suomi (Finnish)
Svenska (Swedish)
Türkçe (Turkish)
Tiếng Việt (Vietnamese)
Українська (Ukrainian)
Report a translation problem
the original EVA graveyard from the broadcast airing is a lot more impactful than the Director's Cut version, why is that? sure, the symbolism of (whatever this is, I can't remember) is nice and all, but in the original scene the EVA's remains were lined up by a chalk outline, the EVAs are just giant, almost mindless humans, and like Rei they were born to furfill the desire of selfish humans, they're expandable victims
very impressive, I can't imagine how spaceous the whole map is going to be in the end, but I'm hoping you'll do your best, don't overwork yourself!