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Yugoslav Pavilion EXPO 1967

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Serbo-Croatian:

Jugoslavenski paviljon EXPO 1967

Paviljon, građevina sačinjena od sedam trokutastih prizmi uravnoteženih u ritmu, svojim izložbenim elementima predstavlja četiri glavne teme: jugoslavensku kulturu, ulogu Jugoslavije u svijetu, gospodarstvo i turizam, političko i društveno uređenje Jugoslavija.

Nakon što je posjetitelj ušao u unutrašnjost, suočio se s panoramskim zidom na kojem su bile projicirane slike jugoslovenskog umjetničkog blaga. Zid je služio kao uvod u glavni dio paviljona koji je prikazivao kulturni kontinuitet Jugoslavije od neolitika do današnje umjetnosti. Suprotstavljeno je umjetničko blago iz različitih umjetničkih razdoblja; glinena figurica koja datira iz 5000. pr. i suvremena brončana skulptura pod nazivom "Djevojka"; slike 13. i 14. stoljeća s rotirajućom zbirkom od 120 modernih slika.

Područje pod nazivom Turizam i tradicija prikazivalo je fotografije krajolika i blaga zemlje, kao i zbirku narodne umjetnosti, neobičnih glazbenih instrumenata, oslikanih uskršnjih jaja, keramike i srebrnine. Korake u industrijskom napretku ilustrirali su makete i uzorci opreme i proizvoda.

Posljednji dio na glavnom katu pokrivao je državu i njenu društvenu strukturu. Jugoslavija je bila zemlja "jedne države, dva pisma, tri jezika, četiri vjere, pet narodnosti i šest republika" Budući da je bila politički entitet tek od 1918., na izložbi su naglašene političke, socijalne i gospodarske mjere primijenjene na njezine probleme raznolikosti.

English:

Yugoslav Pavilion EXPO 1967

The pavilion, a building made up of seven triangular prisms balanced in a rhythmic way, presents, through its exhibition elements, four main themes: Yugoslav culture, the role of Yugoslavia in the world, the economy and tourism, the political and social organisation of Yugoslavia.

Once the visitor entered the cathedral like interior, he was confronted with a panoramic wall where images of its artistic treasures were projected. The wall served as an introduction to the pavilion's main section that depicted Yugoslavia's cultural continuity from Neolithic times to today's art. Art treasures from different artistic time periods were juxtapositioned; a clay figurine dating from 5000 B.C. and a contemporary bronze sculpture entitled "Girl"; paintings of the 13th and 14th centuries with a rotating collection of 120 modern paintings.

The area entitled Tourism and Tradition showed photographs of the country's landscapes and treasures, as well as a collection of folk art, strange musical instruments, painted Easter eggs, pottery and silverware. Strides in industrial progress was illustrated by scale models and samples of equipment and products.

The last section on the main floor covered the state and its social structure. Yugoslavia was a country of "one state, two alphabets, three languages, four religions, five nationalities and six republics" Since it had been a political entity only since 1918, the display stressed the political, social and economic measures applied to its problems of diversity.

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